mutabi
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    warm light style, DonMn1ghtm4reXL, stephen gammell (artist), chiaroscuro, low- key, great lighting, corcoc3s, c3s, (Folk rural horror:1. 5), (isolated island community:1. 3), (massive wicker man structure:1. 5), (twilight scene on coastal cliff:1. 2), (jubilant villagers dancing:1. 4), (pagan ritual atmosphere:1. 3), (protagonist peeking out from wicker man's gaps:1. 4), (flickering torches illuminating scene:1. 2), (ominous bonfire preparations:1. 3), (traditional folk costumes with unsettling masks:1. 4), (contrast between festive mood and impending doom:1. 5), (Celtic- inspired designs on wicker man:1. 2), (stormy sea in background:1. 1), oil painting technique, hyper- detailed, 8k resolution, (Edward Burra meets Thomas Hart Benton style:1. 4), unsettling warm light from flames, (sense of inescapable fate:1. 3), (blurred line between celebration and cruelty:1. 4), photorealistic textures, (oppressive inevitability:1. 3), (implicit threat in joyful faces:1. 4), (foreboding atmosphere despite festivities:1. 5), (implied danger rather than explicit content:1. 4)

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    A worm's-eye view, from the mud and gore of a battlefield. Above us, a hulking Chaos Warrior, his armor warped and fused with putrid flesh, stands victorious. He is framed against a sickly green sky, where the two moons of Chaos, Morkai and Gorkai, are partially eclipsed, casting an unholy light. He raises a rusted axe, dripping with pestilent slime, towards the sky. Impaled upon its tip, the flickering, fading light of what was once a Hammer of Sigmar. The style blends the grotesque detail of Adrian Smith with the epic compositions of John Blanche. 8k resolution, hyperrealistic, a chilling premonition of inevitable doom.
    warm light style, DonMn1ghtm4reXL, stephen gammell (artist), chiaroscuro, low-key, great lighting, corcoc3s, c3s,(Folk rural horror:1.5), (isolated island community:1.3), (massive wicker man structure:1.5), (twilight scene on coastal cliff:1.2), (jubilant villagers dancing:1.4), (pagan ritual atmosphere:1.3), (protagonist peeking out from wicker man's gaps:1.4), (flickering torches illuminating scene:1.2), (ominous bonfire preparations:1.3), (traditional folk costumes with unsettling masks:1.4), (contrast between festive mood and impending doom:1.5), (Celtic-inspired designs on wicker man:1.2), (stormy sea in background:1.1), oil painting technique, hyper-detailed, 8k resolution, (Edward Burra meets Thomas Hart Benton style:1.4), unsettling warm light from flames, (sense of inescapable fate:1.3), (blurred line between celebration and cruelty:1.4), photorealistic textures, (oppressive inevitability:1.3), (implicit threat in joyful faces:1.4), (foreboding atmosphere despite festivities:1.5), (implied danger rather than explicit content:1.4)
    A worm's-eye view from a bloody battlefield, with enhanced lighting and shadows to emphasize the ominous atmosphere. Above, a hulking Chaos Warrior stands victorious, his armor warped and fused with putrid flesh, featuring visible cracks and deformations. The sickly green sky behind him features the partially eclipsed moons of Chaos, Morkai and Gorkai, casting an unholy light with subtle, eerie glows. He raises a rusted axe, dripping with pestilent slime, towards the sky, with a flickering Hammer of Sigmar impaled on its tip, emitting a faint, fiery aura. Blend Adrian Smith's grotesque detail with John Blanche's epic compositions. 8k resolution, hyperrealistic, and ominous, with an increased focus on textures and environmental details.
    DonMn1ghtm4reXL, stephen gammell (artist), chiaroscuro, low-key, great lighting, corcoc3s, c3s,(Folk rural horror:1.5), (isolated island community:1.3), (massive wicker man structure:1.5), (twilight scene on coastal cliff:1.2), (jubilant villagers dancing:1.4), (pagan ritual atmosphere:1.3), (protagonist peeking out from wicker man's gaps:1.4), (flickering torches illuminating scene:1.2), (ominous bonfire preparations:1.3), (traditional folk costumes with unsettling masks:1.4), (contrast between festive mood and impending doom:1.5), (Celtic-inspired designs on wicker man:1.2), (stormy sea in background:1.1), oil painting technique, hyper-detailed, 8k resolution, (Edward Burra meets Thomas Hart Benton style:1.4), unsettling warm light from flames, (sense of inescapable fate:1.3), (blurred line between celebration and cruelty:1.4), photorealistic textures, (oppressive inevitability:1.3), (implicit threat in joyful faces:1.4), (foreboding atmosphere despite festivities:1.5), (implied danger rather than explicit content:1.4)
    A worm's-eye view, from the mud and gore of a battlefield. Above us, a hulking Chaos Warrior, his armor warped and fused with putrid flesh, stands victorious. He is framed against a sickly green sky, where the two moons of Chaos, Morkai and Gorkai, are partially eclipsed, casting an unholy light. He raises a rusted axe, dripping with pestilent slime, towards the sky. Impaled upon its tip, the flickering, fading light of what was once a Hammer of Sigmar. The style blends the grotesque detail of Adrian Smith with the epic compositions of John Blanche. 8k resolution, hyperrealistic, a chilling premonition of inevitable doom.
    A worm's-eye view, from the mud and gore of a battlefield. Above us, a hulking Chaos Warrior, his armor warped and fused with putrid flesh, stands victorious. He is framed against a sickly green sky, where the two moons of Chaos, Morkai and Gorkai, are partially eclipsed, casting an unholy light. He raises a rusted axe, dripping with pestilent slime, towards the sky. Impaled upon its tip, the flickering, fading light of what was once a Hammer of Sigmar. The style blends the grotesque detail of Adrian Smith with the epic compositions of John Blanche. 8k resolution, hyperrealistic, a chilling premonition of inevitable doom.
    A worm's-eye view from a bloody battlefield, with enhanced lighting and shadows to emphasize the ominous atmosphere. Above, a hulking Chaos Warrior stands victorious, his armor warped and fused with putrid flesh, featuring visible cracks and deformations. The sickly green sky behind him features the partially eclipsed moons of Chaos, Morkai and Gorkai, casting an unholy light with subtle, eerie glows. He raises a rusted axe, dripping with pestilent slime, towards the sky, with a flickering Hammer of Sigmar impaled on its tip, emitting a faint, fiery aura. Blend Adrian Smith's grotesque detail with John Blanche's epic compositions. 8k resolution, hyperrealistic, and ominous, with an increased focus on textures and environmental details.
    warm light style, DonMn1ghtm4reXL, stephen gammell (artist), chiaroscuro, low-key, great lighting, corcoc3s, c3s,(Folk rural horror:1.5), (isolated island community:1.3), (massive wicker man structure:1.5), (twilight scene on coastal cliff:1.2), (jubilant villagers dancing:1.4), (pagan ritual atmosphere:1.3), (protagonist trapped inside wicker man:1.4), (terrified expression visible through gaps:1.3), (flickering torches illuminating scene:1.2), (ominous bonfire preparations:1.3), (traditional folk costumes with unsettling masks:1.4), (contrast between festive mood and impending doom:1.5), (Celtic-inspired designs on wicker man:1.2), (stormy sea in background:1.1), oil painting technique, hyper-detailed, 8k resolution, unsettling warm light from flames, (sense of inescapable fate:1.3), (blurred line between celebration and cruelty:1.4), photorealistic textures, (oppressive inevitability:1.3), (implicit threat in joyful faces:1.4), (foreboding atmosphere despite festivities:1.5)
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